Conversations
Created by perfumer Azzi Glasser, the Intersection Candle transforms the tactile world into a sensorial landscape. To explore this magic, we spoke with Glasser about her poetic process of translating memory and the passage of time into scent.
Date
December 18th, 2025
Author
Beni
Photography
Romain Laprade, BILAL TARIGHT
Aroma, like any other artifact, has the power to preserve memory and bottle time.
A continuation of the evocative themes of Studio KO’s first collection for Beni, the Intersection Candle carries us, through its transporting scent, into the color and feeling of another time and place. Its warm, earthy attar traces a glowing map of memory: desert sunlight warming cedar planks, long shadows stretching across concrete alleyways, the echoes of past lives.
Created by perfumer Azzi Glasser, the Intersection Candle transforms the tactile world into a sensorial landscape. To explore this magic, we spoke with Glasser about her poetic process of translating memory and the passage of time into scent.
BENI
The Intersection candle explores memory and record-keeping, weaving the passing moment into the permanent. How did you approach translating those same ideas into a fragrance?
AG
The Intersection scent stops you in your tracks and pulls you through the past into the present, then forward into the future—like a time-scented bubble—yet ultimately reveals itself as one continuous experience.
I translated the values woven into both Beni and Studio KO’s character and style into a single fragrance, using ingredients that tie their story and journey: high luxury with a distinct heritage edge. Notes you'd find in the sun-soaked, dusty city of Marrakech, such as the opening fresh, earthy accord of armoise, dark resins, and saffron. The scent then cools with concrete met by ambers and hot woods, which transport you to a roofless alleyway in Morocco. It's a composition that is recognizably the scent-DNA of Beni x Studio KO.
Flickering aroma of the Moroccan sun — honeyed, warm, and resinous. A transporting scent, shaped by place, that lingers in memory.
BENI
The scent draws inspiration from materials like ancient paper, ink, stone, and wood. How did you interpret these tactile, enduring elements into something as transient and sensory as scent?
AG
The fragrance synergizes with the warm, enveloping visuals and comforting textures of the Intersection designs. From the palette to all the distinctive details, each piece feels like rare art. Each piece translates into the aroma blend of old journals, ink-splattered paper, and worn stone walls embedded with earth-trodden wood that was made bespoke for the owner.
"The Intersection scent engenders the feeling of being transmitted into a scent time bubble of no given time—the Aladdin's cave of scent."
Warm planks of cedar and cast stripes of shadow across cool concrete alleyways.
BENI
If a fragrance were composed from the objects that surround you—on your desk or in your studio—what might it smell like?
AG
Je ne sais quoi—there are so many objects, bottles, and jars filled with treasures and perfumery ingredients from forgotten lands. All would infuse the scent, becoming an opulent mystery. It will engender the feeling of being transmitted into a scent time bubble of no given time—the Aladdin's cave of scent.
"Smell is the fastest memory-evoking sense, and there’s a red thread of familiarity in my creations with multi-layers of shapes that spark an emotion through each molecular drop."
BENI
What emotion or atmosphere do you hope lingers once this candle has been burning in a room full of people?
AG
A complete picture of Morocco—discovering the treasures that glimmer throughout the city, each imbued with stories of history and heritage from the Atlas Mountains, the hidden caves, with a demure of cold stone to smoked wood from a distance. The softness of the desert to the earth-trodden ground gives an emotion of sublime desire waiting to be discovered.
BENI
More broadly, how does the architecture of memory shape your approach to perfumery?
AG
Smell is the fastest memory-evoking sense, and there’s a red thread of familiarity in my creations with multi-layers of shapes that spark an emotion through each molecular drop. People feel nostalgia towards what most speaks to their memories. When I create a fragrance, I’m aware of the ripple effect that it has on the wearer and the space around them. I formulate each scent by telling a story—their story, your story. The end result rings bells through the walls of architecture and becomes a part of identity and self-expression. Ultimately, something we’re all remembered by.
Every act of ephemeral recollection turns eternal when pen is put to paper and when wool is woven into rugs.
BENI
Tied to your own sensory memory, what are some of the most transportive scents in your life and what memories do they accompany?
AG
Rain on Earth takes me back in time to when I was a child in India, playing in the monsoon, experiencing the joy of living moment-to-moment. I later released this when the British Government asked me to create the scent of Britain. It tells my story of growing up in a country surrounded by happiness, simplicity, and richness, where I was able to run free with joy and passion by experiencing nature's true wonder and Mother Earth’s delights.
Explore the Intersection collection
BENI
This collaboration honors craftsmanship and permanence in an increasingly fast-paced, automated world. In your view, how can scent serve as a vessel of preservation—of stories, places, or even identities?
AG
According to a study by Rockefeller University, people remember 5% of what they see, 2% of what they hear, 1% of what they touch, and 35% of what they smell. This sense is directly connected to the most ancient parts of the brain responsible for memory, emotion, and learning. It’s the first sense we developed for safety and sense-making. Once you breathe in those scent memories, they never leave you, which can therefore be a beautiful thing.